From School Library Journal
Numerous "Cinderella" variants abound, including John L. Steptoe's Mufaro's Beautiful Daughters (HarperCollins, 1987), and Robert San Souci's Cendrillon: A Caribbean Cinderella (S & S, 1998), but none so distinctly African American as in this version, which draws on the gospel music tradition.

Set in a southern swamp, it has the usual elements of a poor, persecuted young girl and mean stepmother and stepsisters. But instead of a prince looking for his princess, a mother, Queen Rhythm, looks for a Daughter of Rhythm to take her place in the Great Gospel Choir. A convention is held to find that one special voice. The prince here is the choir's piano-playing Prince of Music. Cinderella, of course, turns out to be the long-lost daughter of Queen Rhythm. She is finally located through a house-to-house search, and takes her rightful place in the choir beside her mother, accompanied by the prince on the piano.

Diaz's double-page acrylics fill the spreads with humorous, bold, and colorful images. A delightful universal tale with an added musical twist.